May 2008
Vol. XXIX No. 5
Dear Oblates and Friends of Portsmouth,
As we near the end of the Paschal Season and approach the new liturgical cycle of Ordinary Time, it is worth our while to consider some of the symbols the Church uses to help us understand the Easter Mystery and how they relate to our redemption through the life and death of Jesus.
At Easter Jesus is portrayed as a sacrificial lamb, being offered up for the redemption of sinful man and replacing the lamb used in the Jewish sacrificial ritual of the Passover. Several weeks later Jesus is described as the Good Shepherd, reversing the role as it were, acting as the leader of the flock, the protector and guardian who would, if required, give up his life for the safety of the sheep. This was the earliest symbol of Jesus used in the catacombs by the early Christians, especially appropriate because Jesus used this figure of himself, deliberately identifying himself with the traditional concept of God as the Shepherd/King of the Jewish people. But the symbol of shepherd was also a way of Christianizing a pagan representation of the god, Hermes, often portrayed as a beardless shepherd carrying a lamb, a god who was invoked as the protector of flocks and patron of one of the most widely practiced occupations of the ancient world. What could be more natural than to associate this image with Jesus, a ready-made way of expressing the redemption in sculptural or pictorial form? For the Greeks; this version of Hermes expressed the civic virtue of philanthropia, the love of mankind. The Christian was now able to use the same image to convey the supreme degree to which the love of God could be demonstrated.
In our time the image that most readily comes to mind when we think of Jesus' redemptive act is the crucifix with a suffering Christ undergoing the torments foretold in the 22nd Psalm and in the prophetic passages of Isaiah dealing with the Suffering Servant, the one who by his physical death was paradoxically the means of defeating the spiritual death of the human race. Until the time of Constantine and after, however, the usual symbols of Jesus stressed Jesus as Victor over death, a triumphant king wearing a crown, who reigned from the Cross (Christus regnavit a ligno) or those symbols which recalled his miracles or his redemptive role, such as grapes, grain, loaves and fishes. A representation of one who seemed to be a criminal and an abject failure would have had little appeal to the first Christians who came largely from the downtrodden ranks of society and who looked for the more obvious signs of a liberator. For the church of the first centuries, the age of persecution and the martyrs, when it was rapidly spreading throughout the Roman world, more affirmative symbols were needed, sometimes designedly cryptic or ambiguous because of persecution. The fish as an acronym.(ichthus: Jesus Christ, of God the Son, Saviour} was frequently used to refer to Jesus both as a means of prayer and as doctrine, focusing on Him as Redeemer of Mankind, Second Person of the Trinity, and fulfillment of the Messianic Promise. The fish also recalled the miracle of the loaves and fishes, an adumbration of the Eucharist in the Gospel of John, as well as the gathering of all mankind in the net cast in the sea of humanity by the apostles and their successors, whom Jesus dubbed fishers of men.
Gradually, though, as Christianity became more firmly established, and the Eastern emperor involved himself in the affairs of the Church, the representations of Jesus took on an imperial cast. He became a figure of supreme authority, a Judge and a Ruler: the Pantocrator, the Almighty, the one who had sovereignty over all, paralleling the power and dignity that the Emperor in the East claimed for himself. This portrayal of Jesus can often be found in frescos and mosaics in the apses of Byzantine churches, a symbol that inspires awe and respect at the divinity hidden beneath the human form of Jesus. In the West, however, the humanity of Jesus has tended to be stressed. One thinks of the graphic renderings of the suffering of Jesus in the late medieval depictions of the crucifixion (Grunewald's horrifying painting of the pock-marked Christ on the Cross immediately comes to mind), but the compassionate Jesus has also been stressed, in the Protestant hymns of the Wesley brothers, in the devotions to the Sacred Heart, in the sentimentalized sculptures and pictures that focus on the humanity of Jesus, often at the expense of his divinity. It is in the iconography of the lamb and the shepherd that we in the Western world can find the most sympathetic symbols. Victim and saviour, sacrifice and guardian: these concepts convey the boundless love of the one who is able to dispel the shadow of death through having overcome it and to act as a guide for us, thereby enabling us to bear the cross in whatever form it takes and follow in his footsteps. The final symbol and perhaps the most obvious one, is the Paschal candle situated in the sanctuary, which signifies the Light of the World, the risen Jesus who is present for forty days after Easter, a way of convincing his followers that he has truly risen from the dead, and which, when extinguished on Ascension Day, yields to the ministry of the Holy Spirit, who continues Jesus' divine presence in the Word of Scripture and in the Sacrament of the Eucharist.
Liturgical Calendar for May
Cycle of Prayer for Summer: A Deeper Understanding between
Jews and Christians; the Persecuted, the Oppressed and those Denied
Human Rights; Seafarers; Europe
1 ASCENSION OF THE LORD (Holy Day)
(St. Joseph the Worker, Patron of Laborers)
2 St. Athanasius, Bishop & Doctor
3 SS. Philip and James, Apostles
4 SUNDAY VII OF EASTER
11 WHIT SUNDAY: PENTECOST
(SS. Odo, Maieul, Odilo, Hugh and
Peter the Venerable, Abbots of Cluny)
14 St. Matthias, Apostle
15 St. Pachomius, Abbot
18 MOST HOLY TRINITY
19 St. Celestine, Pope and Hermit
25 CORPUS CHRISTI
(St. Bede the Venerable)
26 St. Gregory VII, Pope
27 St. Augustine of Canterbury,
Patron of English Congregation
30 Sacred Heart of Jesus
31 Visitation of Our Lady
1 JUNE SUNDAY IX OF THE YEAR Christus Pantocrator
OBLATE DAY OF RECOLLECTION: Dom Philip Hagia Sophia, Constsantinople